Edward Manet - significado y definición. Qué es Edward Manet
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Qué (quién) es Edward Manet - definición

FRENCH PAINTER (1832-1883)
Edouard Manet; Manet, Édouard; Edward Manet; Manet; Manet, Edouard; Edouard manet; Eduard Manet; Eduoard Manet
  • ''[[A Bar at the Folies-Bergère]] (Un Bar aux Folies-Bergère)'', 1882, [[Courtauld Gallery]], London
  • title=At the Café}}</ref> The Walters Art Museum.
  • ''[[Berthe Morisot with a Bouquet of Violets]]'', 1872
  •  ''[[The Railway]]'', 1873
  • The Luncheon on the Grass]]'' (''Le déjeuner sur l'herbe''), 1863
  • Olympia]]'', 1863
  • ''[[The Races at Longchamp]]'', 1864
  • Self-Portrait with Palette]]'', 1879
  • ''[[Music in the Tuileries]]'', 1862
  • ''[[The Execution of Emperor Maximilian]]'', 1867. [[Museum of Fine Arts, Boston]]. The least finished of three large canvases devoted to the execution of [[Maximilian I of Mexico]].
  • The grave of Manet at Passy
  • Manet's portrait painted by [[Henri Fantin-Latour]]

Eugène Manet         
  • [[Berthe Morisot]], ''Eugène Manet and His Daughter in the Garden'', 1883.
FRENCH PAINTER (1833-1892)
Eugene Manet
Eugène Manet (21 November 1833 – 13 April 1892) was a French painter. He did not achieve the high reputation of his older brother Édouard Manet or his wife Berthe Morisot, and devoted much of his efforts to supporting his wife's career.
Edward Veel         
ENGLISH MINISTER AND DISSENTING TUTOR
Edward Veal; Edward Veale
Edward Veel or VealHe spelled his name Veel, and sometimes Veal; it is also given as Veale and Veele. (c.
Edward Turnour (speaker)         
  • accessdate=2 February 2022}}</ref>
SPEAKER OF THE HOUSE OF COMMONS OF ENGLAND
Edward Turnour (Speaker); Edward Turnor
Sir Edward Turnor or Turnour (1617 – 4 March 1676) of Little Parndon, Essex was a Speaker of the House of Commons of England.

Wikipedia

Édouard Manet

Édouard Manet (UK: , US: ; French: [edwaʁ manɛ]; 23 January 1832 – 30 April 1883) was a French modernist painter. He was one of the first 19th-century artists to paint modern life, as well as a pivotal figure in the transition from Realism to Impressionism.

Born into an upper-class household with strong political connections, Manet rejected the naval career originally envisioned for him; he became engrossed in the world of painting. His early masterworks, The Luncheon on the Grass (Le déjeuner sur l'herbe) and Olympia, both 1863, caused great controversy and served as rallying points for the young painters who would create Impressionism. Today, these are considered watershed paintings that mark the start of modern art. The last 20 years of Manet's life saw him form bonds with other great artists of the time; he developed his own simple and direct style that would be heralded as innovative and serve as a major influence for future painters.